You made a fool of us– what right do you have? Not everything is your plaything. Not everything belongs to you.
This novel takes places in the simmering political environment of South Korea in 1978, a year before the assassination of dictator Park Chung-hee. Its opening scene takes place at a factory workers’ protest, unarmed women facing a government crackdown. With this kind of setting, you might expect the plot to be political in nature.
It is and it isn’t. The central dilemma of Everything Belongs to Us concerns three students at Seoul National University, the country’s most prestigious school. Jisun is a poor little rich girl turned labor activist, the heiress of a chaebol, an elite, massive conglomerate with fingers in every pie. Namin, her foil, claws her way up from poverty, determined to succeed in life. Caught between the two of them is Sunam, a male student among thousands, neither rich nor poor, ambitious but lacking in drive. The politics here are personal, a microcosm of three different strata of society meeting.
In short: everything belongs to Jisun, but she doesn’t want it. Namin has nothing and wants everything, but not if she has to eat it from Jisun’s hand. Sunam has something, but he’s opportunistic. He could always have more.
The entanglements of these three students, rather than resolving themselves, become nastier and more complex throughout the novel. Like so many tragic heroes, fate binds them ever stronger in its hold as they try to struggle against it. Rather than ending with a violent fall from grace, though, the story twists into an unsatisfying anticlimax that mirrors the protagonists’ dissatisfaction with their own lives. All of them get what they want in life, more or less, but with a tinge of bitterness to it. “Everything belongs to us,” claims the title, but what did they sacrifice to get it?
The types of these characters seem obvious, easily cast as leads in a drama. However, sometimes a character that can be painted in broad brushstrokes is exactly what a story needs. Simple on their own, they become fuller versions of themselves through the ways they interact with one another. The fact that they end up more or less where they began only makes it more intriguing.
The prose of this book is like a pinball machine, each sentence bouncing from the one before it. Sometimes the angle is expected, and other times it ricochets to a completely different direction. Wuertz has the chops to skillfully paint pictures with words, but she resists the temptation to over-describe. We learn just enough about the scene to set the tone before diving into the action.
The plot develops so quickly that saying much about the contents of the book would spoil it, so suffice it to say that I was seriously impressed with this book. It’s almost hard to believe that this is Wuertz’s debut novel. It makes you think more deeply about the meanings of words like money, love, and success. I recommend it to anyone looking for a fast-paced but thoughtful read steeped in interpersonal drama.
Rating: 5/5 stars.
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